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清初高其佩“画从梦授,梦自心成”的指画探求以及“指头画派”传承与发展,时至今日,朴拙奇异、意趣橫生的指画艺术仍为世人关注。一、朴拙与简括指画因其没有毛笔之锋颖,故秃中求拙,以拙生巧。其稚拙之趣,简约概括之势恰恰也是指画艺术所特有的一种魅力。指画创始人高其佩在其《述画诗》中云:“吾画以吾手,甲肉掌背俱,手落尚无物,物成手却无。”文人画有宁朴勿华、宁拙勿巧,宁丑怪勿妖好之说。中国近现代著名画家纷纷尝试指画创作,潘天寿、钱松岩等以指代笔,演绎着文人画“逸笔草草”的情志。指画不易精雕细琢,“无雕琢之痕”、“不雕”之势构成指画的浑然天成的简约之美。二、意蕴与情趣“传神写照,在半甲半肉间”。(高其佩语)高氏指画信手而来自然意趣橫生。指画注重随性而发,不拘理法,巧得天趣。潘天寿的指画尝试各种异趣和巧思,钱松岩在指画中探求“熟中返生”的意味。指画从心到手直接入画,所以很能传神、写意,独具一格。三、求异与创新。三百年前高其佩的指头生活,“舍笔而求之于手”的艺术实践就是创新之举。在当代,在高其佩的故乡——铁岭,以杨一墨为代表艺术家在指画领域大胆尝试,为指画艺术的传承开辟了新天地。
At the beginning of the Qing Dynasty, Gao Qipei’s painting “Drawing from dreams and dreams” and the inheritance and development of “Finger Painting School” are still of great concern to the world today . First, simple and simple refers to the painting because it does not brush the front Ying, so bald seeking humble, clumsy coincidence. Its immaculate interest, simple summary of the situation is precisely the unique art of painting a charm. Finger painting founder Gao Qipei in his “painting poem” cloud: “my painting to my hand, armor palm back, hand drop nothing, things without a hand. ” , Rather Zhuo Qiao Qiao, rather ugly demon good said. Famous Chinese modern painters have tried finger painting, Pan Tianshou, Qian Songyan, etc. to refer to the pen, interpretation of the literati painting “Yi pen grass ” sentiment. Finger painting is not easy to crafted, “no carving cut marks ”, “do not carve ” trend constitutes a painting of the simple and natural beauty of simplicity. Second, the implication and fun “vivid portrayal, in the half-a-half between meat ”. (Gao Qipei language) Gao refers to the painting letters come naturally interesting. Finger painting focus with the casual hair, unfettered law, clever nature. Pan Tien-shou’s fingernails attempt all sorts of different tastes and ingenuities, and Qian Song-yan explores the meaning of “familiar” in finger painting. Finger painting directly from the heart into the painting, so very vivid, freehand, unique style. Third, differences and innovation. Three hundred years ago, Gao Qipei’s finger life, “give up the pen and seek the hand ” artistic practice is an innovative move. In contemporary times, in Tieling, the hometown of Gao Qipei, artists like Yang Yimo dare to try boldly in the field of finger painting, opening up a new world for the inheritance of finger painting art.