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林超贤执导的影片《湄公河行动》大抵完成了主旋律电影的三方面突围:通过类型融合实现港式文化在内地的顺利落地;通过多维重构的方式深挖人物侧面,塑造立体化的英雄人物形象;通过奇观影像扩大了电影文本的叙事范畴,使影片跻身于商业大片之列。本文以《湄公河行动》为例,探析了主旋律电影由满足政治诉求逐渐转向贴合市场的消费逻辑变化,并进一步指出,只有形成契合中国电影自身的主流商业片类型,才能实现主旋律电影的华丽转身,并使其成为中国电影快速发展的中坚力量。
The film “Mekong Action” directed by Dante Lam has basically completed the breakthrough of three major themes: the smooth landing of Hong Kong-style culture in the Mainland through type fusion; the deep excavation of the characters through multidimensional reconstruction to create a three-dimensional heroic figure; Through spectacle images, narrative categories of movie texts have been expanded to make the films among the commercial blockbusters. Taking “The Mekong Action” as an example, this article explores the change of consumption logic of the main melody movie from satisfying the political demands to gradually conforming to the market, and further points out that only by forming a mainstream commercial film type conforming to the Chinese film itself, can the gorgeous movie turn around, And make it the backbone of the rapid development of Chinese movies.