当前,“跨界”一词在艺术创作领域大行其道,许多大型舞台作品纷纷以“跨界”为创新点或宣传重点,诸多舞剧也难能免俗。一时间,似乎不冠以“跨界”名头,就无法跟上时代的潮流,就无以显示主创广阔的艺术视野与人脉,无法突出“创新点”。然而,当我们走进剧场,观看这些以“跨界”为名的舞剧时,往往会有以下几种情况:一是观众看得一头雾水,整场演出既不知其所起,也不知其所往;二是 At present, the word “cross-border” is very popular in the field of art creation. Many large-scale stage works have been focused on “cross-border” innovation or publicity. For a time, it seems that it is impossible to keep up with the trend of the times and to show its broad artistic vision and contacts without highlighting “innovation points.” However, when we walked into the theater and watched these ballets under the name of “Cross-border”, we often had the following situations: First, the audience was confused and the entire performance was neither known nor performed I do not know where they are going; secondly