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把当代中国民间舞蹈创作界定在特定地域文化内进行研究,有其必要性。这是因为,其一,对于“民间舞”来说,民间舞蹈地域文化凝聚和渗透在舞蹈创作者和表演者的个性上,创作是以微观的主体个性来显现宏观的客体文化;其二,为今后的中国民族民间舞创作道路指明方向:只有在继承中国传统文化“和而不同”的基础上,加强民间舞地域文化与其它文化的协调发展,才不会在今后中国民族民间舞“个性创作”的道路中迷失方向。
It is necessary to define the contemporary Chinese folk dance creation in a specific regional culture. This is because, first of all, for the “folk dance”, the folk culture of the regional culture condensed and infiltrated into the individuality of the dance creators and performers. The creation of the folk dance culture revealed the macroscopic objective culture based on the micro individual personality. Second, we should point out the direction for the creation of Chinese folk dance in the future: Only by inheriting Chinese traditional culture, “harmony but different” will it be impossible for Chinese nationalities in the future to enhance the coordinated development of folk dance culture and other cultures Folk dance “personality creation ” lost its way in the road.