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作为一名话剧导演,从参与艺术创作,旁观话剧艺术的发展出发,审视方兴未艾的小剧场演出热潮中,我们一方面可以看到大量的产出促进了戏剧市场的繁荣;另一方面,也看到了赢取市场化的更大份额。小剧场演出作品质量良莠不齐,甚至有些创作思想流于表面、肤浅,这令人思考。作为戏剧人,我们不禁要问:在经济前进和发展的步伐中,戏剧创作者本身是否让我们感到丢失了什么?什么才是真正的戏剧?文章对此展开探讨。
As a drama director, starting from the development of participating in artistic creation and watching the drama art, we can see that on the one hand we can see a large number of output boosting the prosperity of the theater market. On the other hand, To win a greater share of the market. Small theater performance works of good and bad quality, and even some creative ideas on the surface, superficial, it is pondering. As a dramatist, we can not but ask: In the pace of economic progress and development, the theater creator itself makes us feel lost what? What is the real drama? The article explores.