中国水墨在走到黄宾虹、李可染之后.作为传统水墨文化已达到最强并强极盛极的地步,在这种大的背景下、以东西方合璧形态出现的革新派水墨登上了历史舞台。新因素已经成为拯救中国水墨生命力的最后一种文化动力.吴冠中在林风眠基础上继续向现当代发展,评论家贾方舟在评述吴冠中的文章中 As Chinese ink and wash went to Huang Binhong and Li Keran, as the traditional ink and wash culture has reached the strongest and extremely prosperous stage, on this grand background, the reformists and artists with the combination of East and West came onto the stage of history. New factors have become the last kind of cultural impetus to save the vitality of Chinese ink and washs.Wu Guanzhong continued to develop to the present and contemporary times on the basis of Lin Fengmian, commentator Jia Fangzhou commented on Wu Guanzhong’s article