中国画有三个层次:其一,状物,将所见之物再现纸上,惟妙惟肖,此为写生家之本事;其二,写景,以所绘之物呈现诗景,画家即诗家。画中之诗声色不能拘,此较写生家进一层也;其三,造境,惟表达心境,笔墨间流露出浩然之气。咫尺之内,觉有万里之遥,非气质高迈者不能及也。此较诗家又进一层耳。闲暇弄墨,解衣般礴,笔底幻出奇葩。虽一叶而俯仰向背,拂云卷舒;虽一花而韵致丰采,含露开合,无不生机勃动、变化无穷。 There are three levels of Chinese painting: one is the shape, and the thing seen is reproduced on paper, vivid and vivid, which is the ability to write a novelist’s home. Second, to write the scene, the poetic landscape is presented with the painted objects. The color of the poem in the painting can not be restrained, which is a more advanced level than that of the writers. Thirdly, it creates the state of mind, but it shows the state of mind and reveals the magnanimity between the ink and the ink. Within easy reach, I feel miles away, those who are not temperament can not and also. This poet and another layer of ear. Free time to get ink, unloading clothes like 礴, wonderful magic pen bottom. Although a leaf and pitch to the back, brushing cloud volume Shu Shu; although a flower rhyme and abundance of mining, with open dew, all vitality, endless changes.