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在我们的印象中山水文学就是产生于西晋末、东晋时期的谢灵运手中,脱胎于西晋时期的玄言诗,是把山水作为一种独立的文学形象和审美意味的文学现象,这种观点起源于刘勰《文心雕龙·明诗》中的“老庄告退,而山水方滋”(1)。那么我们需要有疑问了,难道只有把某种审美客体作为独立的文学审美形象,才能把这种文学叫做某某文学吗?至少在我个人看来这是存疑的。那么山水作为文学的独立审美形象时才能将之称为山水文学吗?先秦那些描写
In our impression, landscape hydrology is produced in the hands of Xie Lingyun, born in the late Jin and Eastern Jin dynasties, and abstruse from the Western Jin Dynasty. It is an independent literary image and aesthetic literary phenomenon originated from Liu 勰 “Wen Xin Diao Long · Ming Poems” in the “Lao Zhuang to retire, while landscape Fang Zi ” (1). Then we need to have some questions. Can we call this kind of literature a certain kind of literature only if we regard certain aesthetic objects as independent literary and aesthetic images? At least, personally, this is doubtful. So landscape as an independent aesthetic image of literature can be called landscapes? Pre-Qin that describe