当前版画创作者普遍仍将语言的纯化摆在首要位置。本文明确提供了版画创作中本体语言的阶段性探索及版种区分,以及创作者对语言与精神内核的位置关系的重新认识,说明语言从目的性向工具性的演变的趋势。同时分析了由忽视对创作主体人的关注,导致了版画创作的情感远距离化的现状。 The current creators of printmaking generally place language purification at the forefront. This article clearly provides a phased exploration of the ontology language in printmaking and the distinction between editions, as well as the author’s new understanding of the positional relationship between the language and the spiritual core, and the tendency of language from purpose to tool. At the same time, it analyzes the current situation that the emotion of the printmaking is long-distanced by neglecting the attention of the main body of creation.