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九十年代的中国电影一改八十年代的整一化格局,呈现出板块拼合的整体结构态势。在能数得出的诸如“主旋律电影”,“精品战略电影”等类型集合之间,“后现代主义电影创作”是一块不算坚硬却也完整的板块。
In the 1990s, the Chinese film changed the unified structure of the 1980s and showed the overall structure of the plate-making. Among the many types of collections such as “Thematic Melody” and “Boutique Strategy Movie,” “Postmodernism Filmmaking” is not a hard but complete piece of art.