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我画画,也画图。但画建筑草图的状态对于我似乎更特殊,它既不是绘画以创造唯美的图象价值,也不是制图,需要明确清晰的规范表达。当第一根线条清晰划过纸面时,其实脑子是模糊的,飘忽不定的线条反复游移,纸上的图像越来越混沌,自己反倒逐渐清晰起来。图象和内容都没有预设际准,甚至只是留痕与记录。所以草图是自由、个性的,更像是不可理喻的图象的诗。它可以用于和他人的交流,但其实它是私人的,因为更多的时候他只是画给自己。
I draw, but also drawing. But drawing a sketch of a building seems to me a bit more special, it neither paints to create the aesthetic value of an image, nor is it drawing, requiring a clear and unambiguous expression. When the first line clearly across the paper, in fact, the brain is fuzzy, erratic lines repeatedly wandering, paper images more and more chaos, but gradually clear up themselves. Neither the images nor the content are preset to the standard, or even markings and records. So sketches are free, personal, and more like poems of unreasonable images. It can be used to communicate with others, but in fact it is private, because more often he just drew to himself.