普鲁东的唯物主义哲学观和经济观塑造了独特的艺术批判立场。两个哲学命题可以用来阐明他对当代艺术的理解。这两个命题分别是:对一切绝对的拒绝和与自由相关的理论。对于前者,普鲁东植入一种理性主义的分类学手法,这不仅拒斥了绝对主义所造成的二元对立,而且又展示出艺术创作的可能性领域。“自由”则被定义为身份的流动和职能的变化。艺术作为一种理想的转换力量,人类利用它能在多样性中实现动态的平衡。 Proudhon’s philosophy of materialism and economic concept shaped a unique artistic critical position. Two philosophical propositions can be used to clarify his understanding of contemporary art. The two propositions are: Absolute rejection of everything and freedom-related theory. For the former, Prudhoe implants a rationalist taxonomic approach that not only rejects the binary opposition caused by absolutism but also shows the field of possibility of artistic creation. “Freedom ” is defined as the identity of the flow and changes in functions. Art, as an ideal transforming power, can be used by mankind to achieve a dynamic balance among diversity.