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21世纪以来,先后有三部黄梅戏电影问世。相比过去,这些作品有着怎样的传承变化?怎样的艺术价值?当前的黄梅戏电影还存在什么问题?如何突破?本文试就这些问题探讨之。
Since the 21st century, there have been three Huangmei opera come out. What are the artistic values of these works, what are the problems existing in the current Huangmei opera and how to make breakthroughs? The paper tries to discuss these issues.