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2014年5月8日至9日,首都师范大学文化研究院与文艺研究杂志社、首都师范大学科德学院联合召开“微时代的文化与艺术”学术研讨会。来自文学、美学、文化研究、社会学、传播学、政治学等学科的八十余名专家学者参加了研讨会。在为期两天的十场论坛中,与会学者就大视野中的微时代、微媒体与微传播、微文艺与微电影、微消费与微生活等论题展开热烈讨论。一、微时代是怎样一个时代?“微时代”、“微文化”是首都师范大学文化研究院在国内率先提出的学术议题。作为主办方代表,陶东风指出,“微”作为以去中心化、动态化、碎片化、零散化、即时化和赛博化为特征的新兴的传播方式、文化形态乃至经济活动形态、日常生活形态,已经在潜
From May 8 to May 9, 2014, the Culture Research Institute of Capital Normal University and the Literature and Art Research Magazine and Capital University of Science and Technology held a joint seminar on “Micro-era Culture and Art”. More than 80 experts and scholars from the fields of literature, aesthetics, cultural studies, sociology, communication studies and political science attended the seminar. During the two-day forum of ten sessions, participating scholars engaged in heated discussions on such topics as micro-era, micro-media and micro-propagation, micro-culture and micro-film, micro-consumption and micro-life in the large field of vision. First, the micro-era is an era? “Micro era ”, “micro-culture ” is the Capital Normal University Institute of Culture in the country put forward the first academic topics. As a host party representative, Tao Dongfeng pointed out that as a new mode of transmission, cultural form and even economic activity characterized by decentralization, dynamicization, fragmentation, fragmentation, real-time and cyberspace, Daily life style, already in the submarine