德国文学巨歌德晚年留下了不少咏诵月亮的佳作。本文以《午夜时分》、《中德四季晨昏杂咏》及《致上升的满月》为例,分析歌德晚期诗歌中“月”的意境,并得出结论:《午夜时分》中的明月让诗人忆往追来,《中德杂咏》中的明月最为清新淡雅,《致上升的满月》则洋溢着对恋人的款款深情。其中月亮这一共有的审美元素都是同样的重情思、有韵致,饱含着诗人追求人与自然和谐统一的人生感悟与艺术理想。 German literary giant Goethe years left a lot of masterpiece of chanting the moon. Taking “midnight”, “midnight dusk hybrid” and “rising full moon” as an example, this article analyzes the artistic conception of “month ” in the late poetry of Goethe and concludes that the bright moon in “midnight” The poet recalls the chase, “Sino-German hybrid chant” in the most fresh and elegant moonlight, “caused by the rising full moon” is filled with lovers section of affectionate. Among them, the common aesthetic element of the moon is all the same heavy emotions, with rhyme, full of the poet’s pursuit of harmony and harmony between man and nature in life perception and artistic ideal.