汨罗道场的水陆画是中国传统水陆画的传承与延续,它是在举办水陆道场时所悬挂的一种卷轴宗教画,也是汨罗民间各教派做水陆道场时的必需品。要想了解水陆画就必须从其水陆法会谈起,本文试从水陆法会及水陆画的认知入手,从而论述其汨罗道场水陆画的艺术特征。 The water and land painting of the Miluo field is the inheritance and continuation of the traditional Chinese water and land painting. It is a kind of scroll religious painting hanging during the construction of the water and land lanes. It is also a necessity when Miluo folk sects make land and water lanes. In order to understand the water-land paintings, it is necessary to talk about its water-land law. This paper attempts to start with the cognition of water-land law and water-land painting to discuss the artistic features of water and land paintings in Qionglao.