对于艺术家这个特殊的身份而言,人们总是习惯性地试图从他们身上获取一些暗示,从而去解读其作品中呼之欲出又非文字语言的那些信息。正如我们试图了解的艺术家张恩利,他每次出现都带着一种沉着冷静的气场,但在这表象之下总能感受到有一种表达的力量。正是那种即使一言不发,也有异常强大存在感的人。由此印象,代入到他的作品中,也不难发现这种宁静中蕴合的巨大张力,这种张力存在于他的许多画面里,融入到每—根线条里,渗透在每一种色彩中。从他的“天空”与“树”系列作品中,这种力量似乎表现得更为坚定。视觉最直观的感受是,去除了那些浮躁而短暂的创造性思维,让人得以回归到一种朴素自然的自我表达。其画面安排和延展方式,或许也传递出了艺术家对于“存在”和“延伸”的个人理解。在绘画中被强调的,并非纯属人们正在面临的现实或环境,还有对这些外围世界更多的思考,在思考中 For the artist’s particular identity, people routinely try to get some hints from them to interpret those messages in their works that are beyond the reach of words. As Zhang Enli, the artist we are trying to understand, has a cool and calm aura every time he appears, but under this appearance he can always feel the power of expression. It is the kind of person who, even without a word, has an unusually strong presence. From this impression, it is not hard to find the enormous tension implied by this tranquility in his works. This tension exists in many of his pictures, blending into every root line and permeating every color in. From his series “Sky” and “Tree”, this power seems to be more determined. The most intuitive sense of vision is to get rid of those impetuous and transient creative thinking, so that people can return to a simple and natural self-expression. Its screen layout and extension may also convey the artist’s personal understanding of “existence” and “extension.” What is emphasized in the painting is not purely the reality or environment that people are facing, but also more thinking about and thinking about these peripheral worlds