一、引言诗歌是人类最有魅力也最为神秘的文学现象之一,以至于人们相信诗歌的力量足以主宰整个人类文化的走向,甚至能够透视人生和宇宙的终极秘密,广义上的“诗学”遂成为文艺理论乃至所有人文科学的代名词。然而,在讨论诗歌以及诗学之时,我们仍不得不回到一个可以把握的原点,那就是形象——诗歌的天然属性是大量的形象。如果静下心来面对诗歌形象的世界,我们会发现,真正重要的形象实际上并不太多,而本文 I. INTRODUCTION Poetry is one of the most attractive and mysterious literary phenomena in human beings, so that people believe that the power of poetry is enough to dominate the whole human culture and even reveal the ultimate secrets of life and the universe. In the broad sense, “poetics ”Then become synonymous with literary theory and even all humanities. However, in the discussion of poetry and poetics, we still have to return to a grasp of the origin, that is, the image - the natural attributes of poetry is a large number of images. If we stop to face the world of poetry, we will find that actually the important image is not actually too much.