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1988年以来,我在《大众电影》和《中国摄影艺术论文集》中撰文,提出让摄影报告文学这一载体在中国摄影界“正名”(国外早已有之),并浅析了这种模式的特点和作用。两年来,我的同行们进行了一些实践,从读者和有关专家的反馈中看到,这种似乎“非驴非马”的体裁的确能打动人,尽管它目前未成为“主潮”。唯恐其自生自灭,于是乎,又来它一个“再论”——不过已包含着一定的实践体会。
Since 1988, I wrote articles in “Popular Cinema” and “Proceedings of Chinese Photography Art”, proposing that this carrier of photographic reportage be “proper” in the photographic industry in China (long ago abroad) and analyzed this model Features and functions. Over the past two years, my colleagues have carried out some practices. From the feedback of readers and relevant experts, this seemingly “non-ass and non-horse” genihle indeed touched people although it has not yet become a “main trend.” Fear of its own way, so, it again a “second theory” - but it already contains some practical experience.