一件劳作之余随手泥捏的小品却成为凤翔乃至陕西的民间文化形象,其中的缘由众说纷纭。基于多次凤翔泥塑考察体会,本文主要从民俗学角度切入,围绕民间审美、艺术特性、传承方式等要素,以“凤翔卧虎”为例,探索从乡野泥玩到民间工艺品的流变,以至于以“凤翔卧虎”作为地域“文化符号”的必然性。 A piece of sketches of muddy handmade muddled Fengxiang and even Shaanxi folk culture has become the image of the reasons there are different opinions. Based on many expeditions of Fengxiang clay sculpture, this paper mainly studies from folklore perspective. Focusing on such factors as folk aesthetic, artistic characteristics and inheritance, taking “Fengxiang Crouching Tiger” as an example, this paper explores the flow from folk mud to folk handicrafts Change, so that “Fengxiang Crouching Tiger ” as the geographical “cultural symbols ” the inevitability.