世界上的任何事物,都在一定的时空中运动着。空间和时间是运动中的物质的存在形式。可以说,时空观历来是艺术美学所关心的一个重要问题,不断拓展人类的审美时空是一个艺术家孜孜以求的目的。 我们知道,唯物主义美学是建立在两个前提之上的。第一个前提是人的感觉是美感的源泉;第二个前提是客观世界是人的感觉的源泉。它们构成了“主观世界→人的感觉(经过一系列其他中间环节)→美感”这样一个递进关系。正是从这个意义上,我们把人的审美感官当作沟通美与美感的过渡性“窗口”。可以说,茫茫宇宙的万事万物,无一不是通过我们的 Everything in the world is moving in a certain space-time. Space and time are the existential forms of matter in motion. It can be said that the concept of time and space has always been an important issue that art aesthetics cares about. It is an artist’s goal to continuously expand the aesthetic space and time of mankind. We know that the materialist aesthetics is based on two premises. The first premise is that human feeling is the source of aesthetic feeling. The second premise is that the objective world is the source of human feeling. They constitute a progressive relationship between “the subjective world → human feeling (after a series of other intermediate links) → beauty.” It is in this sense that we regard the human aesthetic senses as a transitional “window” to communicate beauty and aesthetics. It can be said that everything in the vast universe is through us