“身份界定”与“精神归宿”是作家乃至研究者常面临的困惑,这种困惑往往体现在作家作品中的人物身份、精神出路,以及研究者的批评兴趣中。本文试图从这两个角度切入,从作者自身的批评体悟出发,主要以张承志《黑骏马》为探讨文本,涉及韩少功、林白、徐则臣、李进祥笔下一系列“边缘人”形象,从而追问文学批评的路径。好的文学作品都需要生命的投射或说主体性,无论是作家还是批评家。 The confusion often faced by writers and even researchers is often reflected in the identity of the writer, his spiritual way out, and his interest in criticizing. This article tries to cut from these two angles, starting from the author’s own criticism, mainly discusses the text of “Black Horse” by Zhang Chengzhi and involves a series of images of “marginal man” by Han Shaogong, Lin Bai, Xu Zechen and Li Jinxiang Tracing the path of literary criticism. Good literary work requires the projection or subjectivity of life, whether it is a writer or a critic.