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尺牍历来受到人们的重视。对于书法,北齐颜之推虽诫子弟慎勿以此为留意,但对于尺牍所能体现的写信人的性格和特点,却有着深刻的认识。~([1])当然,这里所说的尺牍书趣,既指书札的内容而言,也与书法有关。一九七五年,湖北睡虎地出土秦简中有两枚是一封书信,这是迄今所知最古老的尺牍原件。~([2])在中国古代社会,尺犊书仪有其共同遵守的原则,但是书体、格式、装饰和风格在各个时代又有一些差异性的表现。本文试从书写的心态、信札的行款、笺纸的装饰三个方面简要梳理与讨论明人尺牍书法的特征与趣味。文中涉及的取样材料主要来源于《上海图书馆藏明代尺牍》、《钱镜塘藏明代名人尺牍》、《徽州方氏亲友手札》。~([3])
Ruler has always been people’s attention. For the calligraphy, the North Qi Yan push although caution not to pay attention to their children, but for the character can be reflected in the character and characteristics of writers, but have a profound understanding. ~ ([1]) Of course, what is meant here is not only the content of calligraphy, but also calligraphy. In 1975, two pieces of Qin bamboo slips unearthed in the Heihu Peihu of Hubei Province were a letter, which is by far the oldest piece of the original ruler. In the ancient Chinese society, ruler had its principle of mutual compliance, but there were some differences in performance of book body, format, decoration and style in all ages. This article tries to briefly review and discuss the characteristics and interests of calligraphy in the Ming Dynasty from three aspects: writing mentality, lettering money and paper decoration. The sampling materials involved in this paper mainly come from “Library of Shanghai in the Ming Dynasty 尺 牍”, “Qianjingtang in Ming Dynasty Celebrity 牍 牍”, “Huizhou Fang’s relatives and friends”. ~ ([3])