一、梅特林克的静态戏剧观在古希腊,我们能想象,永远充满剧烈活力的戏剧表现如何化为一种日常心境。那个暴力与流血相较我们更为频繁的时代,极致的情境与事件可以怎样撼动人们的心灵。到1896年,梅特林克在《日常生活的悲剧性》中认为,“今天我们大多数人的生活远离了流血、战斗的呐喊和刀剑的铿锵”[1],剧场里却依然上演“血,表面的眼泪和死亡”[2]。这样的戏剧已经失却日常性,失去了与今人心灵共鸣的力量。 First, the Mettlink’s static theater view In ancient Greece, we can imagine, always full of dramatic and dramatic performance into a state of mind. The times when violence and bloodshed are more frequent than us, and how extreme situations and events can shake people’s minds. By 1896, in his “tragedy of everyday life,” Metlock said, “Today most of us live far from bloodshed, the cry of battle and the sonorousness of the sword.” [1] “Blood, tears and death on the surface ” [2]. Such drama has lost its regularity and has lost its power to resonate with people’s hearts.