一21世纪初,壁画更多地被纳入中国城市的公共空间中,它与城市的发展,尤其与现代型城市的发展正在形成某种“相随相伴”的状况。一件好的公共壁画会与大众产生某种特殊的文化互动关系,并对社会起到某种独特的作用,甚至拥有某种独特的社会影响力,这也是公共壁画自身的文化特点所为。20世纪80年代初,以袁运生为代表的《泼水节——生命的赞歌》壁画呈现 At the beginning of the 21st century, mural paintings were more incorporated into the public space of Chinese cities. They are forming some kind of “companionship” with the development of cities, especially with the development of modern cities. A good public mural will have a special cultural interaction with the general public and play a unique role in society and even have some unique social influence. This is also the cultural characteristics of public murals. In the early 1980s, Yuan Yun-sheng represented “Songkran Festival - hymn of life” murals presented