作为一部杰出的书法理论著述,康有为的《广艺舟双楫》全面、系统地概括了当时的书法观念,因而,甫一面世即受到广泛关注。当时人们普遍倾向于对“碑学”风格流派的论述,往往忽视了充当理论支撑的“形学”。但这一书法观念早已化为整个时代的风气,以至于当时和后来的书家浸于其中而不自知。 As an outstanding book of calligraphy theory, Kang Youwei’s “Guang Yi Zhou Shuangjian” comprehensively and systematically summarized the calligraphy concepts at that time. Therefore, he soon received widespread attention. At that time, people generally tended to discourse on the school of style of “Bei Shi ”, often neglecting the “metaphysics” that serves as a theoretical support. However, this notion of calligraphy has long been transformed into the atmosphere of the whole time, so that then and later book writers are immersed in them without realizing it.