黄振效是乾隆时期造办处中最有影响的广州牙雕名师之一。他借鉴了苏州、嘉定派的竹雕技法,形成了自己的艺术风格:作品中的高浮雕有的近于圆雕;多层次的雕刻,有的深达六七层,整体图案繁丽明朗,立体感强;图案景物布势深远广大,力遒韵雅;图面常作疏密虚实、动静对比,凸现人物神仪;图中有诗,诗中蕴图,妙趣横生,意味无穷。创立了精美绝伦的宫廷派牙雕。但在等级森严的内廷,没有皇帝的恩准,他们绝对不可以在作 Huang Zhen effect is one of the most influential Guangzhou ivory carving teachers in the Qianlong period. He drew on the techniques of bamboo sculptures from Suzhou and Jiading and formed his own artistic style: some of the high reliefs in the works are near the reincarnation; the multi-level sculptures have deep layers of six or seven layers, the overall patterns are bright and clear, the three-dimensional sense Strong; pattern landscapes are far-reaching general, Li Yun Yun-yi; pictorial often secret density and static, static and dynamic contrast, highlighting the deities figure; picture in the poem, poem in the picture, fun, meaning endless. The creation of the exquisite palace factional carving. But in the tightly-knit inner court, without the approval of the emperor, they absolutely can not work