论文部分内容阅读
视唱练耳在现代音乐体系当中处于基础的地位。结合了乐理的视唱练耳教学实践,对于音乐从业者的专业素养和修养不可或缺,乐理是理论,离不开视唱练耳,视唱练耳也离不开乐理知识的指导。无论是音乐独唱、合唱、演奏还是创作,都需要扎实且深厚的视唱练耳能力。乐理于视唱练耳的能力和水平决定了从业者的未来职业发展空间。因此探究乐理和视唱练耳的教学实践,对于音乐学习教学无疑至关重要。这也是许多年以来人们共同探讨的话题。本文就此问题展开讨论分析,通过以下分析,以期达到抛砖引玉、投石问路的效果和作用。
Solfeggio in the modern music system which is based on the position. Combination of music theory of solfeggio teaching practice, for music practitioners professionalism and self-cultivation, music theory is inseparable from the solfeggio, solfeggio, can not do without the guidance of music theory. Whether it is music solo, choral, performance or creation, need a solid and deep solfeggio ability. The ability and level of musicianship to solfeggio determine the future career development of practitioners. Therefore, to explore music and practice solfeggio teaching practice, for music learning teaching is undoubtedly crucial. This is also a topic that people have discussed for many years. This article starts to discuss and analyze this issue, through the following analysis, in order to achieve the effect and role of throwing stones and throwing stones to ask for directions.