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世上没有十全十美的圣人,也难找到一无是处的坏蛋。高尔基说得好:“人们是形形色色的,没有整个是黑的,也没有整个是白的。好的和坏的在他们身上搅在一起了”。文学创作亦不例外。纵览古今文坛,大凡伟大作家往往喜欢刻画人物性格的多面性复杂性。罗贯中、施耐庵、曹雪芹、荷马、莎士比亚、歌德、巴尔扎克、列夫·托尔斯泰无不如此,因为他们深知:“在一个强盗身上写出他的凶恶、残忍和淫荡,也写出他还有悔过和恻隐的微光,比起写一个没有缺点的圣人来,对人们起的作用会更强烈、更高尚”。巴尔扎克的《高利贷者》的主人公高布赛克就是一个“又渺小又伟大”的杂色人物。
There is no perfect saint in the world, and it is hard to find a scoundrel for nothing. Gorky put it well: “People are all kinds of, not all black, nor white as a whole.” The good and the bad stirred with them. “ Literary creation is no exception. Throughout the ancient and modern literary world, most great writers often like to describe the multifaceted complexity of character. Luo Guanzhong, Shi Naian, Cao Xueqin, Homer, Shakespeare, Goethe, Balzac, and Leo Tolstoy, all because they know very well that ”writing out his ferocity, cruelty and sensuality on a robber Write that he has the glimmerings of repentance and concealment, that he is stronger and nobler than he is to write a saint without defects. “ Balzac’s ”usurer“ protagonist Gaubusch is a ”small and great" variegated characters.