直到一段时间以前,我一直存有一个很片面的误区,以为中国舞蹈界所谓的“舞蹈诗”这么一个称谓,不过是一个在艺术创作上的借口而已,所以一直都没有过多地把它的创作实践和理论上的问题放在心上。然而,近年来的中国舞坛在这一领域中有目共睹的繁荣景象,证明我先前判断的失误。这 Until a certain period of time ago, I had always had a very erroneous thought that the so-called title of “dance poem” in the Chinese dance world is only an excuse for artistic creation. Therefore, I have never put too much emphasis on its Creative practice and theoretical issues at heart. However, in recent years Chinese dance arenas are well-known in the field of prosperity, to prove my mistakes previously judged. This