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素有德国“透纳奖”之称的“德国国家画廊奖”今年4组入围艺术家的作品无一例外都带有强烈的表演性和互动性。弗洛里安·海克的场地特设合成声音雕塑《构想》使观众对声音的感受随着与空间中扬声器的距离长短而变换,用灰色和蓝色不同吸音材料,制造声效结构相反的空间,调动观者对声音的极端体验。刺耳的电脑合成噪声,整件作品更像是一个制作精良的人体工程学实验室,似乎为了从感官上全方位激起观众对极简主义的反感。克里斯蒂安·法萨内斯的作品《移动影
Known as the “Turner Prize” in Germany “National Gallery of Germany Award ” This year’s four groups of short-listed artists have strong performances and interactivity. Florian Heck’s venue ad hoc synthetic sound sculpture “concept” so that the audience’s perception of the sound with the speaker space in the length of the change, with gray and blue sound-absorbing material, the sound structure to create the opposite space , To mobilize the viewer’s extreme experience of sound. The harsh computer synthesis of noise, the whole work more like a well-made ergonomic laboratory, it seems in order to sensational all-encompassing audience aesthetics of minimalism. Kristian Faisalus’s work Mobile Shadow