在中国古典文艺系统中 ,由中国早期的绘画艺术所体现和代表的应物象形、写实性、再现性、客体性的美学观念 ,与中国古典文艺美学思想的基本原则即抒情咏志、写意性、表现性、主体性的美学观念是分道扬镳的。中国古典绘画美学观念向中国古典文艺美学基本原则的归属与定位 ,即从“应物象形”(存形 )到“抒情咏志”(写意 ) ,乃是中国古典绘画艺术及其美学观念发展到东晋时才产生的现象 ,并由此而造就了山水画的兴起 In Chinese classical literary and art systems, the aesthetic concepts of pictorial, realistic, reproducible and objective embodied and represented by the early Chinese painting art are similar to those of the classical Chinese literary and artistic aesthetics, namely, lyric poetry, The expressive and subjective aesthetic ideas are part ways. The assignment and positioning of the basic concepts of Chinese classical painting aesthetics to the basic principles of classical Chinese aesthetics of aesthetics, that is, from the “phenomenal shape” (shape) to the “lyrical” (freehand brushwork), is the development of Chinese classical painting art and its aesthetic concepts The phenomenon that occurred in the Eastern Jin Dynasty, and thus created the rise of landscape painting