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在当代语境下,水彩画和其他画种一样经历着自身的发展变化与重建。同时,风景的概念和范畴在此语境下也发生着变化,自然这一始终与人密切相关的概念,一直在随着不同时期语境的变化而改变,成为一种“人化”的风景。而在当代,当自然的风景渐渐离我们远去的时候,“风景”的范畴扩大,一切现实的、非现实的存在物都进入艺术家的视野,他们比以往任何时候都更加关注自身的生存环境和自我的存在状况,将自己置身于当下的语境中来理解风景,立足于自身的传统重新审视“全球化”趋势下存在于艺术领域中和意识形态中的机遇和面临的困境,再在其艺术作品中来表现这种理解和思考,使水彩风景画这个传统的命题获得新的生命力。同时,中国水彩风景画在当代语境下,需要改变传统的观念,对技法和技巧的含义要延伸,在媒介、材料、方法、肌理等方面以及对“自然的风景”的理解和表现上,扩展创作思维、丰富和完善水彩技法、提高水彩表现手法的多种可能性。在拓宽外延表现形式的基础上,实现其艺术内涵向深度、广度发展。这样水彩风景画才能在新的历史语境中寻找自身起源的依据进行重建和发展。
In the contemporary context, watercolor and other paintings are undergoing their own development, changes and reconstruction. At the same time, the concept and category of landscape also change in this context. The concept of nature, which has always been closely related to man, has been changing as a context of different periods to become a “humanized” Landscape. In the contemporary era, as the natural landscape gradually moves away from us, the scope of “Landscape ” expands and all real and unrealistic things enter the field of view of the artist. They pay more attention to themselves than ever before Living environment and self existence, to understand the landscape by placing ourselves in the current context and reexamine the opportunities and facets existing in the field of art and ideology under the trend of “globalization” based on our own traditions Dilemma, and then in his works of art to express this understanding and thinking, so that the traditional watercolor landscape painting gain new vitality. At the same time, Chinese watercolor landscapes need to change their traditional concepts, extend the meanings of techniques and techniques in contemporary contexts, and understand and express media, materials, methods, and texture, as well as their understanding of “natural scenery” On the expansion of creative thinking, enrich and improve watercolor techniques, improve the possibilities of watercolor expression techniques. On the basis of broadening the forms of epitaxy, realizing its artistic connotation to the depth and breadth development. Only in this way can watercolor landscapes find their own origin in the new historical context for reconstruction and development.