论文部分内容阅读
午后慵懒的阳光透过窗玻璃,洒在铺有宣纸的案桌上,那宣纸因为案桌笔筒的投影,或者因为阳光光晕的淡黄,便有了一种陈旧怀古的意蕴。太宗先生随意地从笔筒里拈取一支,蘸墨,提笔,凝神,走笔,手腕游移转动之际,那如烟的墨色,随着笔杆的摇曳,笔锋的劲力,或流畅如泻,或枯涩如滞地行进在那洒满阳光的宣纸上——似点,似横,似竖,似撇,似捺,似弯钩……汉字的笔画在午后阳光中仿佛一个个梦游的醉汉一般,执拗昏沉地
Afternoon lazy sunshine through the window glass, sprinkled on the desk with rice paper, rice paper because of the case pen projector projection, or because of the yellow halo of sunshine, there is a kind of obsolete ancient meaning. Mr. Taizong randomly pick up from the pen holder, dipping ink, pen, condensate, pen, wrist wandering rotation, that smoke of ink, with the swaying pen, flicker of the force, or smooth as diarrhea, Or astringent as stagnant travel in the sun-filled rice paper - like a point, like horizontal, like vertical, like write, like the right, like a hook ... Chinese strokes in the afternoon sun like a sleepwalking drunk In general, stubborn and stubborn