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我始终坚持进行大型铸造玻璃艺术创作研究,从玻璃材料本身的特性出发,不断尝试可能的突破。这种突破不限于窑制技法与打磨工艺,更在于思维观念形态的跨越及表达。基于民族文化的审美特质,以理性主义的方式探索玻璃艺术本体语言中“结构”与“空间”的价值属性。我想展示给大家的不是一个静态的物象,而是塑造一个能让人展开联想的“场景”——一种跨越历史轨迹的时空追溯与充满生机活力般的精神展望。
I always insist on researching the art of large-scale foundry glass. Starting from the characteristics of glass materials, I try my best to make breakthroughs. This breakthrough is not limited to kiln technology and grinding process, but also lies in the thinking of the concept of span and expression. Based on the aesthetic qualities of national culture, this paper probes into the value attributes of “structure ” and “space ” in the art of glass based on rationalism. What I want to show you is not a static image, but a “scene” that can make people unfolded. It is a spiritual and spiritual outlook that spans historical trajectory.