庞德的《诗章》语言多、文体多、新词多,令人目不暇接,给人以前所未有的阅读体验。包罗万象的知识,往往表现为非中心、非系统、拼贴式的语言结构,需要借助顶针等所谓“套材”的重组之后,才能建立起各种知识之间的内在关联。《诗章》对生命本质的追求和对生命历程的探究,则在时空轴上诗化地构筑起多元的坐标。中心的建构过程即对生命本身的书写过程,而在中心化与边缘化的动态运动中,既用人衡量万物,也用万物衡量人,则体现了庞德主张的表意语言的强大表现力。 Pound’s “poetry” language and more style, more new words, dizzying, giving an unprecedented reading experience. All-encompassing knowledge often manifests itself as a non-central, non-systematic and collage language structure that requires the reorganization of the so-called “kit” of thimble to establish the inherent relationship between various kinds of knowledge. The pursuit of the essence of life and the exploration of the life course of “Shi Zhang” poeticized the multi-dimensional coordinates in the spatiotemporal axis. The construction process of the center is the writing process of life itself. In the centralization and marginalization of the dynamic movement, both the measure of people and the measure of people use Pound’s powerful expressive power of ideographic language.