敦煌,自王道士发现藏经洞以来,人们—直以为飞天总是在飞流的黄沙上起舞。而在当下,作为全球语境和资本市场框架下的人类生存实地之一,敦煌又究竟是怎样一种生态样本和世俗生活?这四海仰慕的文明显影和宗教记忆又如何能够在漫漫流沙中不致消失? Dunhuang, since the discovery of the Cangjing Cave by Wang Taoists, people - always thinking that flying always dances on the flowing yellow sand. At present, what kind of ecological samples and secular life in Dunhuang is one of the sites of human existence under the framework of global context and capital market? How can these magnificent images and religious memory of the whole world escape the long run? disappear?