电影意象横贯在电影艺术创作的始终,张艺谋作为中国电影“第五代”导演的扛鼎人物,在他的电影中,有意识的突破在中国电影人心中根植的传统戏剧观念,以“反传统”的姿态,借鉴中国古典艺术诸如“诗歌、戏曲等”的意象美学观念,丰富并发展着中国电影的视觉空间。笔者从张艺谋电影“命名”意象,竭力探索他的价值追求。 The film image traverses through the art creation of the film. Zhang Yimou, as the director of the Chinese film “The Fifth Generation”, has consciously made breakthroughs in the traditional drama concepts rooted in the Chinese film people in his films, Anti-traditional “stance, learn from the classical concept of Chinese aesthetics such as” poetry, opera, etc. “to enrich and develop the visual space of Chinese movies. The author from the Zhang Yimou movie ”name " image, trying to explore his value pursuit.