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作为国家非物质文化遗产的泸州分水油纸伞在上世纪70年代以后,随着钢架伞与布伞的普及,渐渐淡出人们的视线,直到本世纪初,泸州分水油纸伞被纳入企业集体生产,建立完整的艺人谱系,制作工艺得到传承,并以市场为主导,应需而变产生了新形式,开始焕发生机。这种借助生产、流通、销售等手段实现油纸伞技艺传承的方式,正是非遗“生产性保护”的实践模式。因存在艺人队伍老龄化、产业化风险等一系列问题,油纸伞的传承遭遇诸多危机,急切需要认真解决和破解。
As a national intangible cultural heritage of Luzhou, water and paper umbrella in the 70s of last century, with the popularization of steel umbrella and umbrella, gradually fade out of sight, until the beginning of this century, Luzhou diversion paper umbrella into the corporate collective Production, the establishment of a complete artist pedigree, the production process has been heritage, and market-driven, should be changed as needed to produce a new form, began to rejuvenate. This way of using the means of production, circulation and sales to realize the inheritance of oil paper umbrella is exactly the practice mode of non-legacy production protection. Because of the aging artists, the risk of industrialization and a series of problems, the inheritance of paper umbrellas encounter many crises, urgent need to be seriously resolved and cracked.