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在我国山水画史上,清初的龚贤和现代的李可染是以“积墨”山水画享盛名的大家。龚贤的“积墨”山水画意境宁静深邃、生机勃发。李可染的“积墨”山水画意境深秀壮丽、博大雄浑。二人为表现画面意境承继传统山水画技法之精华,勇于创新,各自形成了奇绝的艺术表现手法,主要体现在位置的经营、空间感的幻化和笔墨韵味的掌控三个方面。现试作比较分析。
In the history of landscape painting of our country, Gong Xian in the early Qing Dynasty and modern Li Keran are all famous for their landscape painting. Gong Xian “plot ink ” landscape painting mood calm deep, vitality. Li dyeable “plot ink ” landscape painting mood magnificent magnificent, broad and powerful. The two represent the quintessence of the traditional landscape painting technique in the artistic conception of the performance picture and are bold in innovation. Each forms an extraordinary art expression technique, which is mainly embodied in three aspects: the operation of the location, the illusion of the sense of space, and the control of the pen and ink flavor. Now make a comparative analysis.