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写意精神是中国书画的精髓,作为中国画的美学核心,铸就了传统书画独特的思维方式和精神品格。因为雕塑是一门三维立体艺术,与绘画艺术不同,雕塑艺术是靠体感、量感、质感等艺术语言来打动观者的。但对于主体有着追求“与天地精神独往来的”境界是相同。这里探讨借鉴中国书画文人的写意精神意境用于写意雕塑创作,使其在审美心胸和思想修养等心境上与中国文人雅士在创作时写意精神达到统一。一、写意雕塑和中国书画写意精神——“气”
Freehand spirit is the essence of Chinese calligraphy and painting. As the core of the aesthetic of Chinese painting, it has shaped the unique way of thinking and spiritual character of traditional calligraphy and paintings. Because sculpture is a three-dimensional three-dimensional art, different from the art of painting, the art of sculpture is impressed by the artistic language of volume, volume and texture. But there is the same pursuit for the subject “the realm of independence from heaven and earth ”. This article explores how to use the freehand spiritual conception of Chinese calligraphers for freehand sculpture creation and to achieve the unification with the freehand spirit of Chinese literati during the process of aesthetic psychology and ideological accomplishment. First, the freehand sculpture and the freehand spirit of Chinese calligraphy and painting - “Qi”