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在罗克珊娜·马可希(Roxana Marcoci)的策划下,“新摄影”展览2010年探讨的主题为“后挪用”(post-appropriative)。作为大众影像生产的大国,美国1970年代出现了为了质疑影像的原创性而重新翻拍广告的理查德·普林斯(Richard Prince),但在影像泛滥的21世纪,身为“图片的一代”的四位“新摄影”2010年艺术家,却以同时具有商业与艺术摄影个性的影像,证明摄影是一种既包括记录、报道专题,又包含艺术创作,还包含动态
Under the auspices of Roxana Marcoci, the theme for the New Photography exhibition in 2010 was post-appropriative. As a big power in the production of mass video, the United States appeared in the 1970s to re-commercialize Richard Prince in order to question the originality of the video. However, in the 21st century when the video was flooding, “Four ” New Photography "2010 artist, but at the same time with the commercial and artistic photography personality video, proof photography is a both record, cover topics, but also contains the art of creation, but also contains the dynamic