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第一阶段:明中期以前明初朱元璋为了巩固封建中央集权统治,十分强调士大夫为君所用。在这样的文化政策下,艺术被专一用来歌功颂德、粉饰太平,真正的艺术创造精神被扼制。书法也难逃厄运,以三宋、二沈为代表的台阁体盛行,书法风格大都平庸无味,进入低潮期。直至明中期才稍有改观,
The first stage: the middle of the Ming Dynasty before the Ming emperor Zhu Yuanzhang in order to consolidate the feudal centralization of domination, very much emphasis on the scholar used for the monarch. Under such a cultural policy, art is used singly for praising, spreading the peace, and the true spirit of artistic creation is restrained. Calligraphy also escaped bad luck, to the Three Songs, Shen sinking represented by the prevalence of Taiwan Pavilion, most of the calligraphy style mediocre, into the ebb period. Until mid-Ming only a slight change,