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在中华人民共和国建国60周年之际,改革开放30年之后,文化部开展了首届优秀保留剧目大奖评选活动。这次评奖活动重视群众和市场的评价,提高对演出场次的要求,树立正确的评奖导向,有利于艺术院团建立科学合理的保留剧目轮换演出机制,有利于舞台艺术的长期繁荣发展,受到广大观众和业内人士的热烈欢迎和一致好评。这是文艺评奖机制的一次创新。其意义和价值会在今后的文艺创作发展中逐步显示出来。为此,本刊特邀请季国平、龚和德、安志强、傅谨四位专家学者,就优秀保留剧目大奖评选,以及获奖剧目的创作诸问题进行畅谈。也欢迎关心戏剧命运的人士继续参加讨论。会议由本刊副主编赓续华主持。现将会上发言整理出来,以飨读者。
On the 60th anniversary of the founding of the People’s Republic of China, 30 years after the reform and opening up, the Ministry of Culture held the first prize selection award for outstanding retained plays. This awarding ceremony pays attention to the evaluation of the masses and the market, enhances the request for performances and establishes the correct direction for awarding awards, which is conducive to establishing a scientific and reasonable rotation mechanism of the reserved repertory for the arts troupes and is conducive to the long-term prosperity and development of the stage arts. The audience and the industry warm welcome and praise. This is an innovation of the literary awards mechanism. Its significance and value will be gradually revealed in the future development of literary and artistic creation. To this end, we have invited four experts and scholars, including Ji Guoping, Gong Hede, An Zhiqiang and Fu Jin, to talk about the selection of outstanding repertory awards and the creation of award-winning repertoire. People who are concerned about the fate of drama are also welcome to continue their discussion. Meeting by the editor in chief editor 赓 continued China. We will now put together a speech to readers.