诗人冯至说:“人们提到杜甫时,尽可以忽略杜甫的生地和死地,却总忘不了成都的草堂。”就是那一座孱弱的草堂,孤独地坐落在诗的意象里,一坐已有千年。它的轮廓像游移的烛光,像黯淡的背影,让人担心它会在一阵秋风过后再一次坍圮和消失……1关于杜甫的形象,我只能通过那些枯瘦、忧愁、无助和工整的诗句去揣摩。和他笔下长长短短而又规规矩矩的诗句一样,他的形象,大约亦是枯 Feng Zhi, a poet, said: “When people mentioned Du Fu, they could ignore Du Fu’s birthplace and death, but he never forgotten Chengdu’s chapel.” It was a weakened cottage that was alone in the poetic image. There are thousands of years. Its outline resembles a wandering candle, like a dingy back, fearing it would once again collapse and disappear after a while of autumn ... 1 On Du Fu’s image, I can only pass those skinny, sad, helpless and neat Poems to try to figure out. Like his long, short, and neat verses, his image is about the same