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在当代生活中,一个突出的现象就是日常生活审美化倾向,“美”字的用法和意义获得前所未有的扩展,导致美学意义上的“美”和非美学意义上的“美”之间界限模糊,意义混淆。美学意义上的“美”的用法和意义问题,关涉到“美”的词源学、美的语用学和美的本质的哲学三个方面。当物被转化或提升到与人同一性的关系中,物便成为美之对象,便生成物之美,而人所获得的基于这种同一性和统一性的和谐感便是美感。美的本质实是物我同构、交融而创造出来的一种同一境界。在此同一境界中,一切物质性被升华为精神性,个别的主观情感被提高为纯粹的情感,事物的感性形象显现着事物的本质和精神。
In contemporary life, a conspicuous phenomenon is the tendency of aestheticization in daily life. The usage and meaning of the word “美” have gained an unprecedented expansion, resulting in “beauty” in the aesthetic sense and “beauty” in the non-aesthetic sense “Between the fuzzy boundaries, the meaning of confusion. The usage and significance of ”beauty “ in the aesthetic sense relate to three aspects: the etymology of ”beauty ", the pragmatics of beauty and the philosophy of beauty. When things are transformed or elevated into the relationship with their identity, things become the object of beauty, the beauty of the resultant, and the sense of harmony obtained by human beings based on such identity and unity is beauty. The essence of beauty is really the same realm that I create with the same structure and blend. In this same realm, all materiality is sublimated into spirituality. Individual subjective feelings are elevated to pure emotion, and the perceptual image of things reveals the essence and spirit of things.