张大千是近现代中国美术史上一个重要人物,他在晚年创设了泼彩山水画法,开创了中国山水画发展的一个新路径,拓展了我们对传统山水画的认知维度。探讨张大千泼彩绘画的论文多不胜举,然而对于泼彩学理的认知,限于研究者的学术与实践背景,颇多隔靴搔痒之论。笔者从事泼彩山水画研习实践二十余年,兹结合自己的泼彩山水画创作实践和思考,对泼彩绘画的学理予以深层的解读。一、问题的转换:从“用笔—用墨”到“色块—墨相—造型”对于传统画法而言,泼彩绘画是一次突破性的创造。然 Zhang Daqian is an important figure in the history of modern Chinese art. In his later years, Zhang Daqian created the painting style of splashed color, creating a new path for the development of Chinese landscape painting and expanding our understanding of traditional landscape painting. There are many essays on Zhang Daqian’s paintings on splashed color painting. However, his understanding of splashed color theory is limited to the academic and practical background of the researcher. The author engaged in more than twenty years of study and practice of splashed color landscape painting, combined with his practice of splashing color landscape painting practice and thinking, to draw a deep understanding of painting theory painting. First, the conversion of the problem: From the “pen - with ink ” to “color - ink phase - modeling ” for the traditional painting method, splash painting is a breakthrough creation. Of course