李煜詞與其他的帝王詞相比,作品‘多出’的是美學的終極關懷。西方哲學與美學中提出的‘邊緣情境’概念,非常有助於揭示李後主作品中‘多出’的美學的終極關懷。透過‘邊緣情境’,李後主看到了人生本身,因此‘眼界始大,感慨遂深’,寫出了‘人人心中所有,人人口中所無’。 Compared with other imperial words, Li Yu’s Ci is the ultimate concern of aesthetics. The concept of ’fringe situation’ proposed in western philosophy and aesthetics greatly helps to reveal the ultimate concern of ’extra’ aesthetics in Li Hou’s masterpieces. Through the ’fringe situation’, Lee later saw the life itself, so his eyes grew thick and the emotion deep, thus creating a picture of ’all in the heart of every human being, none of the population’s mouth.’