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中国男篮在第29届亚洲篮球锦标赛1/4决赛中败给了中华台北队,引发了媒体所称的“8·9”事件。媒体将男篮“8·9”事件和近20年来在东亚地区热播的系列宫斗戏电视剧作出了象征性比照。男篮“8·9”事件与宫斗戏的皆有一种揭开事件内幕、走进事件本体、探究事件真相的情节,两者在表现抗争主题方面具有一致性。媒体将“8·9”事件虚拟为宫斗戏所需要的类型化角色,媒体为此不惜牺牲自身的真实性、权威性和公正性。男篮等同于宫斗戏的事件联系之所以能风行一时,和中国人以及东亚人崇尚中庸之道的情愫有关。戏剧与媒介事件的兼容性促使体育赛事向综合性文化类型转移,而以戏喻事现象则是当代中国社会开放、进步、包容精神提升的结果。
The Chinese men’s basketball team lost to the Chinese Taipei in the quarter-finals of the 29th Asian Basketball Championships, triggering what the media called the “8.9” incident. The media made a symbolic comparison of the men’s basketball game and the “8-9” series of drama series that have hit the East Asia region in the past 20 years. Men’s basketball “8 · 9” events and Gong Dou opera are all opened the event inside, into the event ontology, to explore the truth of the plot plot, the two are consistent in the performance of the theme of protest. The media virtualized the “8-9” incident as a typed role needed for the palace fights. The media did not hesitate to sacrifice its authenticity, authority and fairness for this purpose. Men’s basketball match is similar to the event of the palace fighting can be popular for a while, and the Chinese and East Asians respect the golden mean of the situation. The compatibility of drama and media events leads to the shift of sports events to a comprehensive cultural type. However, the phenomenon of drama and metaphor is the result of the opening up, progress and inclusiveness of contemporary Chinese society.