虽然很多时候李勇政的作品会令人直接联想到各种社会事件,但我仍喜欢称他为观念艺术家,只不过在他的素材中涉及了社会事件。是把社会正在发生的事情作为主体,还是把它们作为艺术创作的手段,是我们区分李勇政艺术创作价值的依据。“如何定义正在发生的事情?”这是李勇政给自己的创作提出的问题,在回答这个问题的时候,李勇政使用了一种“正在发展的眼光”——这不像是艺术家对自己的观看,更像是一种观众视角的观看,这也是李勇政在创作中经常使用的手法:一件作品不会只有一种最 Although in most cases Li Yongzheng’s work makes people associate directly with various social events, I still like to call him a conceptual artist, except that social events are involved in his material. It is the basis for us to differentiate the value of Li Yongzheng’s art creation from taking what is happening in society as the main body or using them as a means of artistic creation. How to define what is happening? “This is the question that Li Yongzheng put forward for his creation. In answering this question, Li Yongzheng used a kind of” developing vision "- which is not like the artist’s His own viewing is more like watching from a viewing angle of the audience. This is also what Li Yongzheng often uses in his works: there will not be only one type of work